Brooklyn Russell of Tiny Mix Tapes said, " Slime Season 3 is as celebratory, emotionally rich, and life-affirming as a good funeral should be but never is. Brian Duricy of PopMatters said, "His delivery is somehow still getting better, and Slime Season 3 succeeds as an exercise in discovering just how elastic syllables are". The range is still there, but sectioned into neatly packaged offerings". Narsimha Chintaluri of HipHopDX said, "Young Thug's extensive catalog is spotted with dynamic moments and this project seems to forgo such progressiveness. But if the chief complaint about a Young Thug record is that he's too focused, it shows he's honing in on that perfect blend that will launch him into the stratosphere". Adam Kivel of Consequence said, "This record feels a little too brief, especially trailing off at the end. James Wilt of Exclaim! said, "Every song justifies its spot: the Allen Ritter-produced "Drippin' " serves as a standout, exhibiting a staccato delivery and manic yelling, both of which are new to his already vast sonic vocabulary". Aggregator AnyDecentMusic? gave it 7.2 out of 10, based on their assessment of the critical consensus. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the mixtape received an average score of 76, based on 11 reviews. Slime Season 3 was met with generally positive reviews.
YOUNG THUG SLIME SEASON 3 RELEASE DATE PROFESSIONAL
Critical reception Professional ratings Aggregate scores "Moving forward to dropping albums and hits SS3 OTW". "What Lyor meant was, dropping SS3 and getting past all the talk and this era of thug", he posted. Lyor Cohen teased the funeral on Snapchat, saying, "Today in Austin, we're gonna bury Slime Season 3". Written on the casket was "3.25.16" and "Slime Season". The coffin was covered in red graffiti scribblings that revealed the album's title and the release date. Lose yourself in the debauchery.Young Thug announced the release date of Slime Season 3 through a funeral procession at SXSW in Austin, Texas. There really isn't any need to mince words here Slime Season 3 is simply eight vapid bangers that are truly fun to listen to. It's head-scratching that his output continues to skirt the line between original and ridiculousness, but perhaps his self-confidence in his artistic direction is what keeps him one step ahead of his listeners. And the beats here are as dynamic and multi-faceted as his lyrics are one-dimensional overall, it shouldn't take away from the enjoyment of the final product. He also chooses to handle these four himself, proving that his dynamic vocal tricks can keep things interesting enough while the beats guide him through the twists and turns. It isn't a coincidence that those are the ones that rank among Thug's career best. In case you haven't heard this yet (he literally states it at the beginning), he has "London on da Track" for four of the songs present. "Digits" sees Young Thug successfully melding his singing and rapping to an introspective, lush beat. "With Them" boasts one of the most memorable beats of year thus far while Young Thug delivers his hard-to-define flow that somehow will roll around in your head long after the mixtape ends. The short run-time of this project seems to help the poignancy of the tracks, with no song overstaying its welcome in the thirty minutes present. It's certainly of no matter to Thug here, Young Thug croons, raps, and auto-tunes his way through a focused eight tracks. His singular fascination with his own success and wealth will most likely always disgruntle self-described hip hop purists. Soon after, he found himself on more best of year-end lists than you could shake a stick at. It took less than two years for him to get scooped up by Gucci Mane's 1017 Brick Squad Records. It's almost laughable how quickly Young Thug gained popularity given how his persona seems more like a caricature, but it's hard to resist the charisma that he exudes on his mixtapes. Slime Season 3 makes a fairly good case for the hip hop that shows a blatant disregard for lyrical dexterity (or coherency, for that matter). Review Summary: Thug croons, raps, and auto-tunes his way through a focused eight tracks.
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